Hitler and the Aestheticization of Politics Essay -- propaganda, nazism

macrocosmOne of the reasons behind the succeeder of the Nazi troupe in winning over Germany is on its extensive use of propaganda. Adolf Hitler, known for his penchant for populism, rendered the warm impact of images, films and early(a) materials attributed to Nazism as essential for the political success of the Nazi Party and its agenda for Germany. As an authoritarian leader, Hitler saw the magnificence of extracting the patronage of the Germans not through forceful means, but through convert and motivating measures that enticed their mental faculties. To make such a vision possible, Hitler commission the talents of filmmaker Leni Riefenstahl adept of the most brilliant at the time, to create a movie that promoted Nazism not necessarily in a vituperative manner, but more on cultivating their blind adherence towards the Nazi Party. The result, cheer of the go away, is a documentary film masterpiece that presented the magnanimity of the Nazi Party in a grandiose manner, complete with rich aesthetics intensify with the latest film technology at the time. While run of the pull up stakes has garnered strong acclaim as a magnum opus of its period, critics have assailed it for aggrandizing Nazi politics and its presumed ability to arouse sympathy towards Nazism. Thus, the assertion made by Walter Benjamin on the aestheticization of politics under German fascism has stood as an serious premise to clarify and consider in understanding the significance of exuberate of the Will (Benjamin 217-252 Riefenstahl).The Aestheticization of Politics under German FascismBenjamin noted one of the most notable characteristics of the Nazi regime that of the aestheticization of politics under German fascism. In the simplest sense, Benjamin underlined... ...m that the aesthetic techniques utilise in Triumph of the Will is exclusive to Nazism, as those may also apply to represent other ideologies subject to changes in the stimuli of people and breakthroughs in med ia technology. After all, what made Triumph of the Will distinctly Nazi in nature is the fact that it used multifaceted Nazi propaganda the aesthetic techniques used therein set away from the propaganda, could also apply to other ideologies. Works CitedBenjamin, Walter. The Work of Art in the Age of Mechanical Production. Illuminations. Ed. Harry Zohn. New York Schocken, 1969. 217-252. Print.Spielvogel, Jackson. Hitler and Nazi Germany A History. sixth ed. United Kingdom Pearson, 2009. Print.Triumph of the Will. Dir. Leni Riefenstahl. Perf. Adolf Hitler, Heinrich Himmler, Victor Lutze, various Nazi leaders. Universum charge AG, 1935. DVD.