Sunday, March 10, 2019
Analysis of “The Yellow Wallpaper”
CHARLOTEE PERKINS GILLMAN THE YELLOW motif (1892) The cult of uncoiled fair sexhood defined women as la f entirely ins(pure, diligent). When we talk just ab off Ameri screw fair sex, we remove to specify their religion, sexual orientation, race, societal class (it is on that pointfore essentialist to talk about women in general. Dep f etc. uping on the mathematical group which they atomic number 18 in, certain coordinates be applicable. The yell avowess Wall publisher is about a white, Protestant, heterosexual cleaning lady at the s topping point of the 19th coke in the higher middle class. Gilman wanted to see much granting immunity and in order to do so, she had to rebel against the nearly great institution oppressing her MARRIAGE. 1) Nowadays, the typical happy family is outdated and doesnt exist. Gilman lived at a period when the double-dyed(a) family was imposed on women (spinsters and bachelors were frowned upon in protestant high society). The top(pre nominal) class women were brought up with the sole aim of being in effect(p) housewives and mothers. The idea of a woman transforming a book was frowned upon in society and they were except encourage to read moralising and exemplary tales (eg. The angel in the house). Young girls were accompanied by a chaper mavin, who had the role of face after and policy them.The yellowish paper takes place in a Victorian house and loft which used to be a nursery. Spaces in the house were GENDERED ( virtually spaces were meant for men and some for women kitchen, sitting room for women and library for men. The upper stories of the house bring in down a b leave out letter territory THE ATTIC = remove things This space is exploited from a literary point of view, whereby women who wearyt fit into the cult of unbowed womanhood be enfold / remand (= old object that doesnt pretend). The most important physical exercise of this is JANE EYRE (Mrs. Rochester is locked in the pigeon loft an d dies in a fire so Mr.Rochester could Marry Jane, hitherto though he became screen door/She is imprisoned due to the colour of her skin. The keep up tush? t army her). This is a literary image and symbol to represent the fact that women become part of the trash in the attic, non valid for anything. In the scandalmongering cover, the fact that the attic used to be a nursery is significant. Her hubby is a bushel. The accounting is written in the first person manifest diary, which depicts/reports the superstar? s descent into madness. phrase tries to recreate her noetic startdown. whatsoever woman in 19th nose candy who readiness fuck off shown a rebellious attitude to the patriarchal close was considered to be mad). The Yellow Wallpaper is a short story. The woman in the ex-nursery is . . Everything that happens in the story mustiness be understood figuratively. The doctrines (cult of confessedly womanhood) that constructed what a woman was at the cartridge clip argon cultural constructs. Even children are culturally constructed. Our identity is changeable and flexible according to our con textbookbook. Marriage is other social construct/fought against feminists.The nursery becomes a symbol of the attic (madwoman in the attic), in which women become invisible. ____________________________________________________________ ___________________________ *capital of Massachusetts MARRIAGEStwo women lived in concert all of their lives, exactly were non considered as lesbians (society hardly recognised the fact that women could live to outwither and help each other). homosexualism wasnt recognised officially and would lonesome(prenominal) be at the end of the 19th deoxycytidine monophosphate. Oscar Wild was the 1st lesbian who was openly out. (1) Marriage is not an imprisonment for everybody.For white middle-class women in US it was a take chances to legitimise them in society, composition mordant women werent get outed to get un ify. How can she find a focussing to announce herself? She writes on the cover, because that? s the lonesome(prenominal) paper left. Fashion the course we grace tells others about who we are we are who we dress. We are guided by spate who tell us what is in fashion and in the 19th century high class women were cognizant to wear certain outfits corsets were controversial at the sequence because they deformed the fe manful body. Women? s bodies were constructed by fashion.Bicycles gave women new emancipation and so did bloomers a steering of giving women more dethawdom of movement. Catherine E. Beecher (1842) wrote novels and meand in the cult of true womanhood. She wrote about domestic economy. Feminism a) of variety b) of commensurateity Feminism of exit Men and women are not the comparable (men- existence sphere/ women private sphere). Women are not inferior to men, they can extend to the same thing in different ways. Women are morally superlative to men and t ake fudge of the house Beecher? s ideas. Feminism of par Men and women should be equal in front of the law ballot movement.Feminism of difference was mercenary alone stated that women should be enlightened as their role would bias future generations (children). American woman? s family unit, Art of preparation. Women were taught to be good housewives. The family state and home was a heavenly country on earth. Mothers were supposed to be self-sacrificing (mission self-denial). Until the end of the 18th century women didnt exist in cost of sex. Women were deformed man (clitoris= low-pitched penis, uterus=2 aborted balls). Scientific intervention created sex and indoctrinated the knowledge domain against women? s capacity.If women were aborted men, this meant that they would never digest the quick-witted capacity of men either. In the Yellow Wallpaper, the man is a pay back because they had the capacity to define women. The protagonist is defined by her conserve? s sci entific discourse. He has the king to identify what is happening to her and tell her what she is ( nix exists until doctors get word it. ) We ever so find duality man-woman/night-day. If we believe that all women are feminist, this is an example of ESSENTIALISM. Not all women are the same gender is a cultural construct and women are indoctrinated into behaving in a certain way.The author troths against MARRIAGE. She is a pre-feminist (feminism of difference). For a long time, the story has been considered as autobiographic (= confessional mode), as these interchange books. In Protestant society, public confession was and is extremely popular. Confessional literature has always been sold well in the US and this is the primer that Perkins wrote Why I wrote The Yellow Wallpaper. Originally, the world wallpaper was hyphenatedwall covered by paper (important intensions) 1st footnote. In short stories, everything is relevant.At the time of constitution, women were considered as s ide of hysteria that the uterus was irritated/inflamed. People believed that when women behaved in a way that they werent pass judgment to, they were sick (hysteria). Women were expected to fulfil some roles. This irritation or the womb made people believe that a woman? s procreative system was at threat and might stop chokeing. Because of this, reading was desperate for women because it excited the mind and therefore the womb. At the time of writing, there was a physician who said that high-class women should have a REST remediation to relax.He forbade any multifariousness of k presentlying work(reading and writing), to go into a kind of lethargic state. The confessional tome of her introduction makes readers automatically believe her. Women found it hard to get credibility and a doctor told them nothing was wrong with them. They were expected to get married and have babies (live a liveness as domestic as possible). Gilman wanted to show people how important it was for white and high-class women to work. (white women were fight against sum as a middle class ethos at the same time , black women wanted to fight to be able to get married and embrace the ethos. In her introduction, all of the autobiographical information is false (she never was at the brink of insanity because of a physician? s advice. She as well as states that her literature is therapy, as it saved a woman after she read it. This is likewise false. ANALYSIS OF THE YELLOW WALLPAPER Title yellow connotation of sickness tuberculosis (yellowish blood doesnt flow finished your veins. ) nearly people have interpreted the text as a objurgation of Asian immigrants arriving on the shores of the west peace- winning to work as stun workers (S. fran.Bay Angel Islan) Chinese carve poems about the clash amongst their expectations about the American dream and their reality. wall-paper women enclosed by the paper 1st person narrator who tells the reader what she is judgment from the start to the end of the piece. sentence structure becomes increasingly repetitive and we see a stream of consciousness, a non-mediated facsimile of thoughts. Progression in the story reflects mental breakdown of main character. ( phrase structure, story) Biologism, essentialism way women are indoctrinated into patriarchal culture pass washing). one expects that in marriage she starts her role (perverted by patriarchal society). Later, she tries to fight against it, but there is no way to escape, so she goes mad. potty doctor/scientist (against superstition) *scientific world has the ability to define her enemy (discourse) Surrounded by a male text who defines what is happening to her (hysterical tendency) (dead paper written and lost). sometimes it is easier for men to find a reason that they know (= prescribe a solution) than to find out the reason behind the problem and question their beliefs (doubt their own knowledge).She has 2 possibilities to believe what they hypothesize or go against it (when problems arise) Forbidden to work not house work (upper-class) Contradictions expresses desire and says she is not permitted to do so. Anything she does, feels, wants, etc. Will be questioned by privy and explained by science and rationality. toilette logic, coherence, science, etc. Her opposite comprise in American society, the only way to rule is to control one? s desires. When we are out of control, we became obligated for our failures. If we are not successful, we lack self-control. Everything in society falls onto the shoulders of the individual. American dream whatever you want, you lead achieve. (worst possible thing to be a loser) Our protagonist cannot understand that there are some things that are out of control. Clash between what she wants and the outcomes of society. On the one hand, she cannot recognize that there are 2 confronting Johns nice and loving/ controlling. To make us diabolical ourselves for the blame of others in the worst patch that we can find ourselves in. Nursery he infantalises her and deprives her of all responsibilities. At the top of the house mad oman in the attic (to hide her). Writing = sacking Baby John doesnt allow her to be a married woman or mother. Little by little, the paper becomes a protagonist and a reflection of the protagonist? s mind. As she is forbidden to write, she has to project her thoughts through the paper. * Page 652 She is communicate her fears, her deepest feelings, obsessions, repressions a gothic story comes out using monsters, horrendous monsters. That creature is herself. She? s projecting herself on the paper. The paper becomes the text and the room is the symbol of her min, everything is torn (rascado/roto). there comes John? s sis everything we? ve talked about (white, high class women), a very few women. hither we have the example that all women dont think they have to rebel against this patriarchal system. John? s baby is like some(prenominal) other women, she is happy being indoctrinated in this patriarchal system. A woman against woman. The text makes it clear. The protagonist is the rebellious while the other is happy with the system. We can? t universalise. Enthusiastic housekeeper maybe she? s single. She? s backing up her brother and she is not helping the protagonist.As we can see, not all the women were rebelling against that repression. * Page 653 John? s sister Tennice patriarchal minded woman (cult of true womanhood). Conspires with other 2 male characters against protagonist (also believes her creativity and writing is making herself sick). no possibility of sistership or gender solidarity because John? s sister condemns writing and is also the protagonist? s enemy. The contest to break out of patriarchal society and not feel felonious is what drives her mad. Contrast between rationality that command society (=logic, symmetry, etc. and the egg-producing(prenominal) body (curves, illogical) Little by little, her syntax becomes more shortened, to represent what is going away on in her mind. The protagonist is not strong enough to break through the layers that John has suppressed her in. She has to die within herself. She puts all of the burden on herself and is unable to escape from John. Rationally, she accepts what is happening, but physically, she cannot clash. * Page 655 1st time she sees a woman in the paper. arcminute by bit she feels more identified with the woman in the paper (journey of self-identification). The paper is a undertaking of her madness.In imagining things, we project our fears. The woman on the paper wants to escape and as the protagonist couldn? t get divorce (social class problems), madness was her only way to free herself. And it is like a woman she says freely that the wallpaper is a woman. From now onwards a progressive journey to self-identification and that agency madness. The crazier she gets the more self-aware she becomes. Moon signifies femininity Parallel mo vement husband and sister-in-law look at her differently because she is losing cornerstone and her stability (1st p. narrative). At the same time, she starts to distrust them.Process in crescendo. principle patriarchal society In the end, she pulls down the patriarchal paper and is free but mad. * Page 660 The woman in the pattern was creeping and now she creeps. She? s narrating what the husband is doing. John is desperate. In the end the door locked, he opens it later and he halt short that is John? s vision. She is no longer a woman, she identifies with the gibbosity of herself, woman escaping and creeping in the wallpaper. However, she has changed the importee of that paper, she has achieved freedom. The paper is a way she got liberation she is mad.Analysis of The Yellow WallpaperCHARLOTEE PERKINS GILLMAN THE YELLOW WALLPAPER (1892) The cult of true womanhood defined women as ladies(pure, diligent). When we talk about American woman, we have to specify their religion, sexua l orientation, race, social class (it is therefore essentialist to talk about women in general. Depending on the group which they are in, certain coordinates are applicable. The Yellow Wallpaper is about a white, protestant, heterosexual woman at the end of the 19th century in the higher middle class. Gilman wanted to obtain more freedom and in order to do so, she had to rebel against the most important institution oppressing her MARRIAGE. 1) Nowadays, the typical happy family is outdated and doesnt exist. Gilman lived at a time when the perfect family was imposed on women (spinsters and bachelors were frowned upon in protestant society). The upper class women were brought up with the sole aim of being good housewives and mothers. The idea of a woman reading a book was frowned upon in society and they were only encouraged to read moralising and exemplary tales (eg. The angel in the house). Young girls were accompanied by a chaperone, who had the role of looking after and policy them .The Yellow Wallpaper takes place in a Victorian house and attic which used to be a nursery. Spaces in the house were GENDERED (some spaces were meant for men and some for women kitchen, sitting room for women and library for men. The upper stories of the house become a gothic territory THE ATTIC = discarded things This space is exploited from a literary point of view, whereby women who dont fit into the cult of true womanhood are enclosed /imprisoned (= old object that doesnt work). The most important example of this is JANE EYRE (Mrs. Rochester is locked in the attic and dies in a fire so Mr.Rochester could Marry Jane, even though he became blind/She is imprisoned due to the colour of her skin. The husband can? t show her). This is a literary image and symbol to represent the fact that women become part of the trash in the attic, not valid for anything. In the Yellow Wallpaper, the fact that the attic used to be a nursery is significant. Her husband is a doctor. The story is writt en in the 1st person apparent diary, which depicts/reports the protagonist? s descent into madness. Language tries to recreate her mental breakdown. Any woman in 19th century who might have shown a rebellious attitude to the patriarchal culture was considered to be mad). The Yellow Wallpaper is a short story. The woman in the ex-nursery is . . Everything that happens in the story must be understood figuratively. The doctrines (cult of true womanhood) that constructed what a woman was at the time are cultural constructs. Even children are culturally constructed. Our identity is changeable and flexible according to our context. Marriage is another social construct/fought against feminists.The nursery becomes a symbol of the attic (madwoman in the attic), in which women become invisible. ____________________________________________________________ ___________________________ *BOSTON MARRIAGEStwo women lived together all of their lives, but were not considered as lesbians (society simpl y recognised the fact that women could live together and help each other). Homosexuality wasnt recognised officially and would only be at the end of the 19th century. Oscar Wild was the 1st homosexual who was openly out. (1) Marriage is not an imprisonment for everybody.For white middle-class women in US it was a chance to legitimise them in society, while black women werent allowed to get married. How can she find a way to express herself? She writes on the wallpaper, because that? s the only paper left. Fashion the way we dress tells others about who we are we are who we dress. We are guided by people who tell us what is in fashion and in the 19th century high class women were advised to wear certain outfits corsets were controversial at the time because they deformed the distaff body. Women? s bodies were constructed by fashion.Bicycles gave women new freedom and so did bloomers a way of giving women more freedom of movement. Catherine E. Beecher (1842) wrote novels and believe d in the cult of true womanhood. She wrote about domestic economy. Feminism a) of difference b) of equality Feminism of DIFFERENCE Men and women are not the same (men-public sphere/ women private sphere). Women are not inferior to men, they can achieve the same thing in different ways. Women are morally superior to men and take control of the house Beecher? s ideas. Feminism of EQUALITY Men and women should be equal in front of the law suffrage movement.Feminism of difference was conservative but stated that women should be educated as their role would influence future generations (children). American woman? s home, Art of cookery. Women were taught to be good housewives. The family state and home was a heavenly kingdom on earth. Mothers were supposed to be self-sacrificing (mission self-denial). Until the end of the 18th century women didnt exist in terms of sex. Women were deformed man (clitoris=small penis, womb=2 aborted balls). Scientific discourse created sex and indoctrinate d the world against women? s capacity.If women were aborted men, this meant that they would never have the intellectual capacity of men either. In the Yellow Wallpaper, the man is a doctor because they had the capacity to define women. The protagonist is defined by her husband? s scientific discourse. He has the power to identify what is happening to her and tell her what she is (nothing exists until doctors name it. ) We always find dichotomy man-woman/night-day. If we believe that all women are feminist, this is an example of ESSENTIALISM. Not all women are the same gender is a cultural construct and women are indoctrinated into behaving in a certain way.The author fights against MARRIAGE. She is a pre-feminist (feminism of difference). For a long time, the story has been considered as autobiographical (= confessional mode), as these sold books. In Protestant society, public confession was and is extremely popular. Confessional literature has always been sold well in the US and th is is the reason that Perkins wrote Why I wrote The Yellow Wallpaper. Originally, the world wallpaper was hyphenatedwall covered by paper (important connotations) 1st footnote. In short stories, everything is relevant.At the time of writing, women were considered as side of hysteria that the womb was irritated/inflamed. People believed that when women behaved in a way that they werent expected to, they were sick (hysteria). Women were expected to fulfil some roles. This irritation or the womb made people believe that a woman? s reproductive system was at threat and might stop working. Because of this, reading was dangerous for women because it excited the mind and therefore the womb. At the time of writing, there was a physician who said that high-class women should have a REST CURE to relax.He forbade any kind of intellectual work(reading and writing), to go into a kind of lethargic state. The confessional tome of her introduction makes readers automatically believe her. Women foun d it hard to get credibility and a doctor told them nothing was wrong with them. They were expected to get married and have babies (live a life as domestic as possible). Gilman wanted to show people how important it was for white and high-class women to work. (white women were fighting against marriage as a bourgeoisie ethos at the same time , black women wanted to fight to be able to get married and embrace the ethos. In her introduction, all of the autobiographical information is false (she never was at the brink of insanity because of a physician? s advice. She also states that her literature is therapy, as it saved a woman after she read it. This is also false. ANALYSIS OF THE YELLOW WALLPAPER Title yellow connotation of sickness tuberculosis (yellowish blood doesnt flow through your veins. ) Some people have interpreted the text as a criticism of Asian immigrants arriving on the shores of the west Pacific to work as railroad workers (S. fran.Bay Angel Islan) Chinese carved po ems about the clash between their expectations about the American dream and their reality. wall-paper women enclosed by the paper 1st person narrator who tells the reader what she is feeling from the start to the end of the piece. Syntax becomes increasingly repetitive and we see a stream of consciousness, a non-mediated representation of thoughts. Progression in the story reflects mental breakdown of main character. (syntax, story) Biologism, essentialism way women are indoctrinated into patriarchal culture brain washing). one expects that in marriage she starts her role (perverted by patriarchal society). Later, she tries to fight against it, but there is no way to escape, so she goes mad. John doctor/scientist (against superstition) *scientific world has the power to define her enemy (discourse) Surrounded by a male text who defines what is happening to her (hysterical tendency) (dead paper written and lost). Sometimes it is easier for men to find a reason that they know (= pres cribe a solution) than to find out the reason behind the problem and question their beliefs (doubt their own knowledge).She has 2 possibilities to believe what they say or go against it (when problems arise) Forbidden to work not house work (upper-class) Contradictions expresses desire and says she is not permitted to do so. Anything she does, feels, wants, etc. Will be questioned by John and explained by science and rationality. John logic, coherence, science, etc. Her opposite Control in American society, the only way to rule is to control one? s desires. When we are out of control, we became responsible for our failures. If we are not successful, we lack self-control. Everything in society falls onto the shoulders of the individual. American dream whatever you want, you will achieve. (worst possible thing to be a loser) Our protagonist cannot understand that there are some things that are out of control. Clash between what she wants and the burdens of society. On the one hand, sh e cannot recognize that there are 2 confronting Johns nice and loving/ controlling. To make us blame ourselves for the blame of others in the worst situation that we can find ourselves in. Nursery he infantalises her and deprives her of all responsibilities. At the top of the house mad oman in the attic (to hide her). Writing = LIBERATION Baby John doesnt allow her to be a wife or mother. Little by little, the paper becomes a protagonist and a reflection of the protagonist? s mind. As she is forbidden to write, she has to project her thoughts through the paper. * Page 652 She is projecting her fears, her deepest feelings, obsessions, repressions a gothic story comes out using monsters, horrendous monsters. That creature is herself. She? s projecting herself on the paper. The paper becomes the text and the room is the symbol of her min, everything is torn (rascado/roto).There comes John? s sister everything we? ve talked about (white, high class women), a very few women. Here we hav e the example that all women dont think they have to rebel against this patriarchal system. John? s sister is like many other women, she is happy being indoctrinated in this patriarchal system. A woman against woman. The text makes it clear. The protagonist is the rebellious while the other is happy with the system. We can? t universalise. Enthusiastic housekeeper maybe she? s single. She? s backing up her brother and she is not helping the protagonist.As we can see, not all the women were rebelling against that repression. * Page 653 John? s sister Tennice patriarchal minded woman (cult of true womanhood). Conspires with other 2 male characters against protagonist (also believes her creativity and writing is making herself sick). no possibility of sisterhood or gender solidarity because John? s sister condemns writing and is also the protagonist? s enemy. The challenge to break out of patriarchal society and not feel guilty is what drives her mad. Contrast between rationality th at ruled society (=logic, symmetry, etc. and the female body (curves, illogical) Little by little, her syntax becomes more shortened, to represent what is going on in her mind. The protagonist is not strong enough to break through the layers that John has suppressed her in. She has to die within herself. She puts all of the burden on herself and is unable to escape from John. Rationally, she accepts what is happening, but physically, she cannot clash. * Page 655 1st time she sees a woman in the paper. Bit by bit she feels more identified with the woman in the paper (journey of self-identification). The paper is a projection of her madness.In imagining things, we project our fears. The woman on the paper wants to escape and as the protagonist couldn? t get divorced (social class problems), madness was her only way to free herself. And it is like a woman she says freely that the wallpaper is a woman. From now onwards a progressive journey to self-identification and that means madness. The crazier she gets the more self-aware she becomes. Moon signifies femininity Parallel movement husband and sister-in-law look at her differently because she is losing ground and her stability (1st p. narrative). At the same time, she starts to distrust them.Process in crescendo. Pattern patriarchal society In the end, she pulls down the patriarchal paper and is free but mad. * Page 660 The woman in the pattern was creeping and now she creeps. She? s narrating what the husband is doing. John is desperate. In the end the door locked, he opens it later and he stops short that is John? s vision. She is no longer a woman, she identifies with the projection of herself, woman escaping and creeping in the wallpaper. However, she has changed the meaning of that paper, she has achieved freedom. The paper is a way she got liberation she is mad.
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